The works in plaster represent the soul of the workshop. Each original print emerges directly from the mold, and it is at this precise moment that the sculpture becomes a work of art, to be named, baptized.
Lined up all along the workshop, their faces turned toward the artist who conceived them, the stuccos gaze, silent and impassive, at the creative work in progress and the magic occurring, like benevolent penitents.

One can discover these stuccos either at the Felix Marcelhac Gallery or in Kelli’s personal workshop.